AMAROK
"Neo Way"
(Ars Mundi, 2003)

Very each point
a new artist that seems appears that she makes hundred of next years playing. Of those
that synthesize with wisdom much of the best thing of a gender. Anyone that there is
listening the album last year Amarok, the premiere of Michal Wojtas' band,
knows about what I speak. A fascinating trip for different perfectly achieved climates, to
which the feeling of the interpretation of the guitar of Wojtas enhanced at
surprising levels. It is not chance that that album has been voted among the best in the
year in several parts of the world.
Amarok is
in fact almost a project soloist of Wojtas, since he takes charge of the guitars,
keyboards, samples and programming in both albums, to the margin of all the compositions,
only leaving the battery in hands of Artur Szolc who completes a excellent task
along the new album, "Neo Way".
This disk
expresses a deep search for the existence of a new spirituality, and who expresses it. A
road to abandon the fears and to transcend. But there of the reasons that take to an
artist to sum up a disk, the important thing is the artistic result that derives of that
premeditation. And the best in "Neo Way" is the synthesis of the moving
thing of much of their music next to the for moments spectacular performance of Wojtas
in guitar. Not for anything it compared it to him with Andrew Latimer, David
Gilmour, mainly, Mark Knopfler or Mike Oldfield (to remind their
influential work Amarok 1990).
Wojtas is
accompanied in this opportunity by Colin Bass, the great bassoonist of Camel,
although only in the voice of three of the best topics in the album. The first one is "Up
Hill", a rhythmic and delicious ballad that could fit perfectly in certain album
of Direv Straits,as "On Every Street", or "Communique".
The work of the choirs still grants a more moving tone to the topic that it offers a
subtle but fascinating work in guitar. The second collaboration is maybe the best. "
...No More A Roving" it remits to "Watching the Bobbin" sunfailingly
of Camel, "Another Brick on the Wall part 2" of Floyd or "One
World" of Dire Straits, for its hypnotic tone, of climate loaded with
tension, sustained in the impressive work of Szolc in drums. And the third fear
together it is "Hope". A topic that it transmits a nearer climate to the Floyd
post Waters, to the "Take it Back" of "The Division
Bell". This task of Bass who on the other hand received the help of Wojtas
in their second album "In the Meantime", it innovates regarding the disk
premiere of Amarok, which only offered sporadic vocalizations.
As brief
interludes, and to appreciate the versatile instrumental capacity of Wojtas, the
topics "Two Faces" appear that could have been in Steve Howe's
disk acoustic soloist, or the beautiful topic for piano "Fifth Mount"
that could be Rick Wakeman's outtake. Completing the first part of the disk
finds to the opening topic "Dajenu", which offers an interesting crossing
with the oriental music, creating a climate of subtle beauty that is opposed to "On
the Road", a frantic one instrumental worthy of Mark Knopfler, for the
sophisticated use of the textures in the guitar, resource also found in some good moments
of Chris Isaak's career.
The second
section of the album is the suite "Neo Way" that consists of seven united
topics that form a transcendent collage of sensations, from the power of "Neo Way
II", the tribal tone of "Neo Way IV", or the brillant closes
with "Neo Way VII", which remits the remarkable Amarok of Oldfield
directly. This suite offers certain brief and delicate instants as acoustic interludes
that it grants guessed right balance with the most energetic topics. The final result is
one of the most beautiful, moving and captivating moments in the last times.
If the previous
year Amarok was the revelation, with this disk the word consecration is so obvious
that maybe until it diminishes the true value of the disk. The maturity and creative
energy of Michal Wojtas transforms it into one of the most brilliant artists in the
moment in the world, somebody to the one who to continue very sincerely from here from now
on.
Andrés
Valle
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