The Site of the Progressive Music
 
Navigation

>
Home
>
News Editions
>Cd Reviews
>
Interviews
>
Informs
>
Retropolis
>
Guestbook
>
Contact

 

 Links

>Bands
>Argetina Bands
>Sites
>Labels
>Magazines
 


 

CABEZAS DE CERA

"Cabezas de Cera"

(El Angelito Editor, 2001)

 

I don't have doubts in affirming that the music of this impressive trio Mexican called Cabezas de Cera is one of the strongest experiences arisen in Latin America in the last twenty years, inside the progressive environment. Their music possesses at the same time a lot of dynamism and sophistication, besides a great variety of colors and a surprising instrumental wealth as main characteristic.

Definitively, it would be a great pain that this surprising band happened inadvertent for the progressive public.

Already from their beginnings, there for 1995, Cabezas de Cera were arming a musical puzzle patiently in which combined elements that go from the old music, gorgeously the R.I.O., the concrete and aleatory music next to forms characteristic of the folclore of the America pre hispanic. Different musical forms that found in the rock the good space of freedom where to be conjugated to the perfection, to develop an own identity and to consolidate aesthetically. The completed result of we are it in the nine crisscross pieces in an admirable way that conform this exceptional puzzle, from which they are presented in society. But, undoubtedly, this alone it is possible to achieve thanks to the versatility and the talent that their members possess, Ramsés Luna (high saxo, clarinet, traverse and Irish flutes, voice), Mauricio Sotelo (Stick Grid, electric guitars and acoustics, citarra and electric bass) and Francisco Sotelo (drummer, tarola, plates and electronic set of percussion), three musicians owners of a superlative talent, and without who this sound experience would be impossible to achieve.

Cabezas de Cera offer us in their premiere discographic an album of brilliant and uncompromising music, presented inside a box in whose interior the pieces of a puzzle are included, which are almost without to want it an allegory of their music.

Sergio Vilar

unalargapasion@hotmail.com


 

Nucleus  nucleus@netvek.com.ar