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CAST
"Al-bandaluz"
(Cast
Productions, 2003)
Members:
Alfonso
Vidales: keyboards and backing voice.
Francisco Hernández: voice and percussion.
Carlos Humarán: guitars and backing voice.
Kiko King: drums and percussion.
Flavio Jiménez: bass and backing voice.
Guests:
Pepe
Torres: saxo, flute, clarinet and kena.
José Algaba: bass. Michael
Dean Starry: guitar.
Ismael
Cortés, Mario Bocanegra y Enrique Slim: percussione.
Alberto Marquez: keyboards . Lupita Vidales: backing voice.
The
new work of Cast is product of an international musical
project; it is a double CD in which several tracks have the
collaboration of some members of the Spanish band Omni,
mainly. The result is brilliant, elegant, melodically rich and
splendid. By the way, we find very inspired compositions that
pick up the typical symphonic style here (almost epic) that Cast
has gone cultivating and securing disk after disk; but this time
it is also had the addition of exotic flavors of arabesque court
(“Ensamble Al-Mayá”), and other elements of stylized
Andalusian court (“Viajero Inmovil”, “Jerezcali”,
“Lamento del Gato”), the same ones that are good to
renovate and to enrich the stylistic slope of the band. The new
members have known how to be coupled perfectly to the address of
the group, being so the one assembles instrumental it sounds
very adjusted and quite creative. It is also exclusively the
first disk of Cast with letters in our language, in the
few occasions that the voice appears, because certainly it is a
work primarily instrumental. The listener prepares with each she
listens of a banquet of diverse melodies, harmonies and
textures. Apart from the topics before mentioned, it also
deserves to stand out the most ambitious that are certainly the
most extensive: “Encrucijada” it is a suite of three
sections that it distills an energy and encircling pomposity,
while the other suite, “El Puente” (of four sections)
it throws toward a more crystalline melodic fineness, although
without giving up the presence of passages loaded with rocker
energy. The disk closes with the imposing one instrumental “Ansia,
Angustia, Desesperación” that conserves the typical
superlative melodic sensibility of Cast. In sum, an
excellent sample of progressive Latin American that has already
harvested several praises in the net, and that I can already
consider as the best work in the whole trajectory of Cast
until today.
César
Inca
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